Black Lindy Hop Matters  How so and How much? Dedication, Destructiveness and Decisions:  The plight for some Black Dancers Have you read this recent viewpoint "Who is to fight Racism in Dance"?  Please take a look  http://dogpossum.org/category/ lindy-hop-and-other-dances/ black-lindy-hop-matters/ When it comes to Black Lindy Hop Matters "movement" White people can do something about getting more Black people involved and within the scene - but they are not obligated to.  Even if the current state of affairs is not their fault.  But it is refreshing to read and especially meet those who do see (and understand) that some changes are overdue.... and could be welcoming. Yet with the few numbers that there are in comparison, its Black folks who are waiting and whining about it. Not all of course. These ones are still frequenting the main or major venues and events; they attend and then snarl about what they see that appears

The legendary Savoy Ballroom was a large  ballroom  for music and public dancing located at 596  Lenox Avenue , between 140th and 141st Streets in   Harlem . The Savoy was the one ballroom in the area to be called the "World's Finest Ballroom".   The ballroom was 10,000 square feet in size, was on the second floor and a block long. It could hold up to 4,000 people. The interior was painted pink and the walls were mirrored. Colored lights danced on the sprung layered wood floor. It contained a spacious lobby framing a huge, cut-glass chandelier and marble staircase.  It was in operation from March 12, 1926  to July 10, 1958 ,  and owned by white entrepreneur Jay Faggen with Jewish businessman Moe Gale  (or gangster, as our dear old friend who worked there Charles Dorkins told us). It was managed by African-American business man and civic leader Charles Buchanan (who was also secretary and treasurer). The ballroom was modeled after Fagg